Course Language:
İngilizce
Course Objectives:
The player aims to teach candidates should address how the games.
Course Content:
The beginning of the world until the end of the eighteenth century theater texts in the game through the eyes of a player handled and examined.
Course Methodology:
1. Lecture, 2.Practice 3. Discussion,
Course Evaluation Methods:
1. Testing, 2. Homework.
Vertical Tabs
Course Learning Outcomes
Learning Outcomes | Program Learning Outcomes | Teaching Methods | Assessment Methods |
The acquisition of theatral writing styles. | 2 | 1,3 | A,B |
Gain the ability of defining the dynamics in different editting plays via an analytic perspective. | 4 | 1,3 | A,B |
Course Flow
Week | Topics |
1 | Introduction |
2 | Agamemnon/Aiskhylos |
3 | “ “ |
4 | Mandragola/Machiavelli |
5 | “ “ |
6 | Antonius and Cleopatra/Shakespeare |
7 | “ “ “ |
8 | Tartuffe/Moliere |
9 | “ “ |
10 | The Servant of Two Masters/Goldoni |
11 | “ “ “ “ “ “ |
12 | Love and Intrigue/Schiller |
13 | “ “ “ “ |
14 | General Discussion |
Recommended Sources
Textbook | |
AdditionalResources | |
Material Sharing
Documents | |
Assignments | |
Exams |
Assessment
IN-TERM STUDIES | NUMBER | PERCENTAGE |
Mid-terms | 1 | 70 |
Quizzes | 2 | 10 |
Homework | 1 | 20 |
Total | 100 | |
CONTRIBUTION OF FINAL EXAMINATION TO OVERALL GRADE | 40 | |
CONTRIBUTION OF IN-TERM STUDIES TO OVERALL GRADE | 60 | |
Total | 100 |
COURSE CATEGORY | Basic Professional Courses |
Course’s Contribution to Program
No | Program Learning Outcomes | Contribution | |||||
1 | 2 | 3 | 4 | 5 | |||
1 | The ability of interacting of the human kind with social, economic, political and especially the cultural heritage | * | |||||
2 | The ability of recognizing historical heritage and experience in the field of drama and acting,and approaching, interpreting and using critically this heritage and experience | * | |||||
3 | The ability of creating creative idea, project,show, performance etc.in the field of drama and acting. | * | |||||
4 | The ability of examining social relationships and the norms that are leading the serelationships with a critical approach and improving such suggestions as human and society-centered, cultural sensitive project, show, performance etc. | * | |||||
5 | The ability of defining the process of artistic creation in the field of drama and acting, describing this process orally or written in detail | * | |||||
6 | The ability of using absorbed knowledge and skills in the period of implementation in interdisciplinary works | * | |||||
7 | The ability of interpreting the material handled by relating between the acquired knowledge and experiences | * | |||||
8 | The ability of having absolute sovereignty of his instruments as the voice and body in the field of acting | ||||||
9 | The ability of seeing, defining the relationship between his way of thinking, spiritual World and society’s way of thinking and perception, and imroving the expression of his intrument by making use of these | ||||||
10 | The ability of transferring the designs /projects by using principles and developments of the contemporary acting and drama in the field of drama and acting to the performance of acting. | * |
ECTS
ECTS ALLOCATED BASED ON STUDENT WORKLOAD BY THE COURSE DESCRIPTION | |||
Activities | Quantity |
Duration (Hour) |
Total Workload (Hour) |
Course Duration (Including the exam week: 14x Total course hours) | 14 | 3 | 42 |
Hours for off-the-classroom study (Pre-study, practice) | 12 | 1 | 12 |
Homeworks | 1 | 3 | 3 |
Presentation | 0 | 0 | 0 |
Midterm | 0 | 0 | 0 |
Final Exam | 1 | 3 | 3 |
Total Work Load | 60 | ||
Total Work Load / 30 (h) | 2 |
1